"Joe Alterman combines outstanding musical technique with infectious enthusiasm for his work. I've seen him fill a room with joy as his skill at the keyboard combines seamlessly with his delightful and appealing onstage personality. Young Alterman is one fine, first-class entertainer.” - Dick Cavett
"All the musicians who are now considered jazz legends played there [Birdland]: Charlie Parker, Dizzy Gillespie, Thelonious Monk, Miles Davis, Lester Young, Count Basie, Oscar Peterson and Duke Ellington, among others. Alterman would have been able to hold his own jamming with any of them." — Nat Hentoff
"When listening to Joe Alterman perform, it is obvious that he has studied the history of jazz piano. However, his own style of playing is appealing, challenging and quite satisfying."— Ramsey Lewis
"Little Joe - yeah, that's what I call him, 'cause I am big and he is tiny, but only in stature. As a man and a musician he is already a giant. His zeal for life and learning is the perfect formula for taking our music to new levels. Right now, hes young. Right now, he gets it. He is on the verge of fully becoming himself. Little Joe, my man...He beeza bad MF. He is a true inspiration to me."— Les McCann
"Joe Alterman is doing his part to keep alive the art of the swinging trio. He is a wonderful pianist whose playing brings smiles and good feelings to his listeners - as he has caused me to experience when I heard his enjoyable album." - Monty Alexander
"Joe has a great sense of what is most meaningful in the history and tradition of our music, and a real solid musical vision of where he wants to take it."— Houston Person
“Pianist Joe Alterman pulls off one of the rarer feats in modern jazz: he swings — hard.” – Downbeat Magazine
In a recent interview with Brian Lehrer on WNYC, legendary journalist Nat Hentoff stated, "The last piece I did for them [The Wall Street Journal] - I'm so glad I had a chance to do it - is about a 24 year old pianist [now 27] and composer named Joe Alterman, who is really the personification of the past of jazz - he's really deep into that -, the present of jazz - he has his own voice - and that leads him into the future of jazz, and he's so important in terms of the validity of jazz...[Joe Alterman & one of his mentors, tenor saxophonist Houston Person] make recordings that - to use the phrase that Duke Ellington really had a chance to use - are 'beyond category' because they're timeless."
Born and raised in Atlanta, Georgia, Alterman moved to New York in the fall of 2007 to study music at New York University, where he earned both his Bachelor's and Master’s Degrees in Music. While there, he had the opportunity to study with greats including Don Friedman, Joe Lovano and John Scofield.
He has headlined at venues around the United States including the Blue Note Jazz Club in New York, The Kennedy Center in Washington, DC, Germantown Performing Arts Center in Memphis, Rialto Center For The Performing Arts in Atlanta, Preservation Hall in New Orleans, Earl Klugh's Weekend of Jazz in Kiawah Island, South Carolina, among others; in addition to New York's Blue Note Jazz Club, Alterman has also headlined at other venues in New York City including the Iridium, the Kitano, 21 Club, Le Cirque, and Jazz at Lincoln Center's Dizzy’s Club Coca-Cola and has performed overseas at venues that include the Blue Note Jazz Club in Milan, Italy.
Among many others, Alterman has performed with Les McCann, Houston Person, Tony Middleton and bassist James Cammack, with whom Alterman also works frequently with in a duo setting. In addition, he and his trio have performed multiple times at the Blue Note Jazz Club as an opening act for greats including Les McCann, Ramsey Lewis, Philip Bailey (of Earth, Wind & Fire), John Pizzarelli and Hiromi, among others.
Alterman’s most recent recording, Georgia Sunset, which was produced by Houston Person, garnered much critical praise and reached #6 on the JazzWeek radio charts.
Speaking about Alterman, legendary pianist Ramsey Lewis stated, "When listening to Joe Alterman perform, it is obvious that he has studied the history of jazz piano. However, his own style of playing is appealing, challenging and quite satisfying."